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Jerry Reynolds

Jerry Reynolds — Sat, 23 Apr 2011 17:00:14 +0000

Take a look at this page and Like

Jerry Reynolds — Fri, 17 Jul 2009 19:28:37 +0000

Final Drawing of Nicole

Jerry Reynolds — Wed, 27 May 2009 19:18:17 +0000

Final Drawings

Jerry Reynolds — Sun, 10 May 2009 18:14:30 +0000

Drawing of Sean

Drawing in progress

Jerry Reynolds — Sun, 10 May 2009 18:11:53 +0000

Study for drawing of Nicole

Mosaic Votive

Jerry Reynolds — Sun, 10 May 2009 18:09:18 +0000

Two Votives in progress

Design Services

Jerry Reynolds — Wed, 09 Jul 2008 17:58:13 +0000

With many years of experience in the printing and design industry, you can be sure that your project will be press ready when it comes off our computer and to the presses. You don’t even need a computer, just an imagination! We do the rest.

The RGB Color Space:

Jerry Reynolds — Wed, 09 Jul 2008 17:43:05 +0000

The Colors of Televisions and Computer Monitors The color space used to create color on a TV or computer monitor is completely different than the color space used to print color on a press. Also known as LUMINOUS or ADDITIVE colors, RGB lights behave just the opposite of color inks printed on paper. RGB is a color space that is totally incompatible with any printing press.

The CMYK Color Space:

Jerry Reynolds — Wed, 09 Jul 2008 17:33:57 +0000

The Colors of printing. In full-color (process) printing, your printer uses four inks Cyan, Magenta, Yellow and Black. When these four inks (collectively known as CMYK) are combined, they can produce millions of different colors. Also called REFLECTIVE or SUBTRACTIVE colors, process inks filter light as it is reflected off the paper, allowing only certain wavelengths of light to reach your eyes.

We have all been there

Jerry Reynolds — Tue, 08 Jul 2008 13:25:50 +0000

The NIKE® logo is one of the most recognizable in the world. Caroline Davidson, a university student, met Phil Knight (NIKE’s founder) in an accounting class he was teaching. He commissioned her to create a logo for the shoes he was developing. She designed and presented the Swoosh; Knight handed her the fat payment of $35.